ART GALLERY + SPACE FOR ARTISTIC EXPERIMENTATION
Save the Date: Fronteiras Project
From September 22 to October 22: Exhibition, urban intervention, and in-between cultural dialogue, featuring artists Enivo and Paulo Govêa. Opening: September 24, from 5 PM to 9 PM, at Galeria Coletivo...
SCHEDULE
OUR PROGRAM
Save the Date: Fronteiras Project
September 22–October 22: Exhibition, urban intervention, and cross-cultural dialogue, featuring artists Enivo and Paulo Govêa. Opening: September 24, 5:00–9:00 p.m., at Galeria Coletivo Amarelo in Marvila, Lisbon
Pop-Up Exhibition at Coletivo Amarelo
SPECIAL EXHIBITION: Featuring artists Gabriela Albuquerque, Flavia Regaldo, and José Cavalhero During this intense week of art in Lisbon, we will present a special selection of works by some of our artists, as well as a guest artist. For a limited time, the...
Mediated Conversation: “On the Proportion of Shapes”
MEDIATED TALK: With the artist Flavia Regaldo, and curators Giulia Lamoni and Margarida Brito Alves On Saturday, November 22, we will hold a guided talk with the artist Flavia Regaldo and curators Margarida Brito Alves and Giulia Lamoni about her exhibition...
On display: Coletivo Amarelo - Lisbon
OPENING: OCTOBER 25TH, 6PM - 9PM
"ON THE PROPORTION OF FORMS", with artist Flavia Regaldo, curated by Giulia Lamoni & Margarida Brito Alves. In the project room, "GESTO DE ANÁLISE", with artist Lilian Walker, curated by Stephanie Wruck.
FLAVIA REGALDO: ON THE PROPORTION OF SHAPES
On show at Galeria Coletivo Amarelo, in Lisbon, from 25/10 to 31/01
Flavia Regaldo's solo exhibition at Coletivo Amarelo, curated by Giulia Lamoni and Margarida Brito Alves.
Continuing his research into the interconnection between the practice of printmaking and the critical observation of mineral life, in the exhibition On the Proportion of Shapes, Flavia Regaldo (Belo Horizonte, 1984) brings together recent works from the Deslize and Morfológicas series, placing them in dialog with three-dimensional pieces. The group of works on show explores different materialities and proposes an unfolding or expansion of printmaking itself and its processes, while at the same time questioning the notions of time, memory, affection and landscape, as well as the relationship we create with them.
Português 
English 
Español 
Français 
Deutsch 
Nederlands