ART GALLERY + SPACE FOR ARTISTIC EXPERIMENTATION
Vernissage: Borders Project
The border does not separate. It reveals. FRONTEIRAS was born in Portugal, from the encounter between Brazilian artists and the Portuguese territory. At the center of the project are Enivo and Paulo Gôvea, two artists...
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Vernissage: Borders Project
The border does not separate. It reveals. FRONTEIRAS was born in Portugal, from the encounter between Brazilian artists and the Portuguese territory. At the center of the project, Enivo and Paulo Gôvea, two contemporary urban artists from Brazil, present their works and...
Save the Date: Fronteiras Project
September 22–October 22: Exhibition, urban intervention, and cross-cultural dialogue, featuring artists Enivo and Paulo Govêa. Opening: September 24, 5:00–9:00 p.m., at Galeria Coletivo Amarelo in Marvila, Lisbon
Pop-Up Exhibition at Coletivo Amarelo
SPECIAL EXHIBITION: Featuring artists Gabriela Albuquerque, Flavia Regaldo, and José Cavalhero During this intense week of art in Lisbon, we will present a special selection of works by some of our artists, as well as a guest artist. For a limited time, the...
Now Showing: Borders Project
OPENING: SEPTEMBER 24, 5PM - 9PM
From September 22 to October 22, at Coletivo Amarelo in Marvila, Lisbon. Wednesday to Saturday, from 2 PM to 7 PM.
With the artists Paulo Govêa and Enivo. Exhibition, community mural, talks and creative residency.
FLAVIA REGALDO: ON THE PROPORTION OF SHAPES
On show at Galeria Coletivo Amarelo, in Lisbon, from 25/10 to 31/01
Flavia Regaldo's solo exhibition at Coletivo Amarelo, curated by Giulia Lamoni and Margarida Brito Alves.
Continuing his research into the interconnection between the practice of printmaking and the critical observation of mineral life, in the exhibition On the Proportion of Shapes, Flavia Regaldo (Belo Horizonte, 1984) brings together recent works from the Deslize and Morfológicas series, placing them in dialog with three-dimensional pieces. The group of works on show explores different materialities and proposes an unfolding or expansion of printmaking itself and its processes, while at the same time questioning the notions of time, memory, affection and landscape, as well as the relationship we create with them.
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