ART GALLERY + SPACE FOR ARTISTIC EXPERIMENTATION
Extended: Project Fronteiras
Upon request, the Frontiers Project will be extended until November 14, with a special schedule during Lisbon Art Weekend. Exhibition featuring works by artists Enivo and Paulo Govêa, and intervention...
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OUR PROGRAM
Extended: Project Fronteiras
Upon request, the Fronteiras Project will be extended until November 14, with a special schedule during Lisbon Art Weekend. Exhibition featuring works by artists Enivo and Paulo Govêa, and an already present artistic intervention on Av. Santo Condestável, below the viaduct of the...
Vernissage: Borders Project
The border does not separate. It reveals. FRONTEIRAS was born in Portugal, from the encounter between Brazilian artists and the Portuguese territory. At the center of the project, Enivo and Paulo Gôvea, two contemporary urban artists from Brazil, present their works and...
Save the Date: Fronteiras Project
September 22–October 22: Exhibition, urban intervention, and cross-cultural dialogue, featuring artists Enivo and Paulo Govêa. Opening: September 24, 5:00–9:00 p.m., at Galeria Coletivo Amarelo in Marvila, Lisbon
Now Showing: Borders Project
From September 22 to November 14, Coletivo Amarelo at Marvila, Lisbon. Wednesdays to Saturdays, from 2pm to 7pm.
With the artists Paulo Govêa and Enivo. Exhibition, community mural, talks and creative residency.
FLAVIA REGALDO: ON THE PROPORTION OF SHAPES
On show at Galeria Coletivo Amarelo, in Lisbon, from 25/10 to 31/01
Flavia Regaldo's solo exhibition at Coletivo Amarelo, curated by Giulia Lamoni and Margarida Brito Alves.
Continuing his research into the interconnection between the practice of printmaking and the critical observation of mineral life, in the exhibition On the Proportion of Shapes, Flavia Regaldo (Belo Horizonte, 1984) brings together recent works from the Deslize and Morfológicas series, placing them in dialog with three-dimensional pieces. The group of works on show explores different materialities and proposes an unfolding or expansion of printmaking itself and its processes, while at the same time questioning the notions of time, memory, affection and landscape, as well as the relationship we create with them.
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