ART GALLERY + SPACE FOR ARTISTIC EXPERIMENTATION
Opening: "On the Proportion of Shapes"
OPENING: Exhibition "Sobre a Proporção das Formas", with artist Flávia Regaldo We are pleased to invite everyone to the opening of SOBRE A PROPORÇÃO DAS FORMAS, Flavia Regaldo's solo exhibition at Coletivo Amarelo, curated by Giulia Lamoni and...
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OUR PROGRAM
Opening: "On the Proportion of Shapes"
OPENING: Exhibition "Sobre a Proporção das Formas", with artist Flávia Regaldo We are pleased to invite everyone to the opening of SOBRE A PROPORÇÃO DAS FORMAS, Flavia Regaldo's solo exhibition at Coletivo Amarelo, curated by Giulia Lamoni and...
Exhibition: Workshop "The Back of the House"
OPENING: Pop-up exhibition of works created in the workshop "O Verso da Casa" We are delighted to invite you to the opening of Coletivo Amarelo's new exhibition, the result of the workshop O Verso da Casa, led by Luiza Baldan, which proposed an immersion in the memory of...
Affordable Art Fair Berlin - 2025
Coletivo Amarelo at the Affordable Art Fair in Berlin After participating in the editions of the Affordable Art Fair in Hamburg, Amsterdam and Brussels, Coletivo Amarelo will be present for the second time at the Berlin edition in 2025. The fair opens on June 12 and runs until...
Workshops
CYCLE OF WORKSHOPS: Click here for more information
On display: Coletivo Amarelo - Lisbon
Flávia Regaldo, Gabriela Albuquerque, Veridiana Leite, Diego Garcez and Chico Diaz. In the Project Room, Franka Struys
# THE ARTIST SPEAKS: GABRIELA ALBUQUERQUE
Adraga with Orange Reflection, 2024
Adraga in Dark Blue, 2024
oil painting on paper
50 x 70 cm
* Work on display at Coletivo Amarelo
"More than a decade ago I left Brazil, and since then, in my journeys around the world, the landscape has always been my first shelter. When I arrived in Portugal, it was the Atlantic - with its immense, living and indomitable presence - that welcomed me. It was the Atlantic that made me stay, put down roots and create a home. The landscape that surrounds me has become a constant presence in my artistic practice. I observe the subtle variations in light, the movements of the tides, the almost imperceptible changes that time imprints on shapes. All this feeds my gaze. In this series of four paintings on Adraga Beach, I'm trying to capture what, by nature, escapes me: the moment that changes, the color that dissolves, the shadow that shifts. It's an attempt - perhaps vain, but profoundly necessary - to contain time, to make permanent landscapes that, in their essence, are ephemeral."
