by Stephanie Wruck | Mar 22, 2025 | Article, Emphasis, Events
Este ano, o Coletivo Amarelo fará parte da seção Portal da Miart ⁂
O que é o Portal? ✦ Curadoria: Alessio Antoniolli. A seção Portal reúne projetos que quebram as fronteiras entre disciplinas, tempo e espaço, explorando narrativas e perspectivas incomuns, assim como novos campos criativos. A escolha de design é inspirada pela abordagem visionária de Robert Rauschenberg ao fazer arte como um processo coletivo e sua descrição de seus trabalhos colaborativos “como um único grupo de cérebros, sentimentos e soluções.” Rejeitando categorias rígidas e desatualizadas, esses projetos desafiam nossa compreensão de geografia e temporalidades, oferecendo uma visão mais rica e complexa do passado e do presente para reconfigurar nosso futuro.
O Coletivo Amarelo apresenta com orgulho o projeto “Histórias Encarnadas: Caminhos Entrelaçados”, que reúne as obras de Flavia Regaldo e Juliana Matsumura, duas artistas brasileiras cujos trabalhos exploram temas de memória, identidade e interconectividade. Através do desenho, instalação, fotografia e gravura, suas práticas entrelaçam reflexões pessoais e históricas sobre ancestralidade, deslocamento e as forças que moldam nosso mundo.
Desde as explorações intricadas da memória e do território de Juliana até as investigações dinâmicas de Flavia sobre ritmo, caos e natureza, suas obras criam um espaço para reflexão—oferecendo uma maneira alternativa de navegar pelo nosso passado, presente e futuro. O uso do papel e de várias técnicas de impressão, como os monotipos no trabalho de Juliana ou as gravuras no de Flavia, também reflete a busca individual de cada artista para imprimir suas histórias, ao mesmo tempo que conecta suas práticas tanto fisicamente quanto conceitualmente.
Caso queira comparecer à feira, entre em contato conosco para obter ingressos cortesia.
Esperamos vê-lo(a) lá!
by Stephanie Wruck | Mar 12, 2025 | Article, Emphasis, Events
SAVE THE DATE: OPENING - MARCH 8TH - 18H TO 21H
PRELIMINARY: PAPER AS A PROCESS
We invite everyone to our first opening of the year, PRELIMINAR: PAPER AS A PROCESS, a group exhibition that brings together works on paper by:
Veridiana Leite Diego Garcez Gabriela Albuquerque Paula Ferreira Juliana Matsumura
The exhibition delves into the idea of paper as a threshold, where paper operates as a boundary between the outside world and the artist's inner universe. The works presented are a compilation of sketches, studies, unfinished drawings, monotypes and preparations for what comes next.
Paper as a preliminary, a starting point, a vehicle, a laboratory for experimentation. Paper as a relic, vulnerable to the elements, reactive to temperature and time. Paper as a space where ideas take shape and later materialize into something different.
Curated by: Stephanie Wruck
by Stephanie Wruck | Jan 28, 2025 | Article, Emphasis, Events
Yellow Collective at the Affordable Art Fair in Hamburg
After taking part in the Affordable Art Fair editions in Hamburg, Amsterdam and Berlin, Coletivo Amarelo will be present for the second time at the Hamburg edition. Brussels in 2025. The fair opens on the 6th of February and runs until the 9th. The Affordable Art Fair features a number of local and international galleries that will present thousands of contemporary works of art at affordable prices. Among the artists exhibiting at the fair are Gabriela Albuquerque, Manoel Quitério, Juliana Matsumura, Veridiana Leite, Flavia Regaldo and Chico Diaz.
Affordable Art Fair
The first edition of the Affordable Art Fair took place in Battersea Park, in London, in October 1999. At first, the fair had an audience of 10 thousand people interested in buying art. These include original contemporary paintings, sculptures, photographs and prints in a relaxed and friendly atmosphere.
After all these years, the Affordable Art Fair takes place in more than 10 cities around the world, including London, New York, Hong Kong, Hamburg, Amsterdam, Brussels, Singapore, Stockholm, Melbourne and Sydney, with two new fairs to open coming soon to Shanghai and Berlin.
In each of its editions, the fair welcomes thousands of art enthusiasts and provides a wide variety of art. They feature established and emerging artists in a mix of local, national and international galleries with affordable artwork.
The Affordable Art Fair is an opportunity to discover emerging artists and galleries at an affordable price. It encourages the democratization of art and its consumption.
The vernissage takes place on November 5 between 5pm and 10pm. For more information on the fair's timetable, go to the website.
We have some complimentary tickets for the fair, if you would like to attend, send us an email: contact@coletivoamarelo.com
by Stephanie Wruck | Dec 6, 2024 | Article, Emphasis, Events
SAVE THE DATE: MEDIATED CONVERSATION - SATURDAY, DECEMBER 7TH - 3PM-5PM
We are happy to invite you to a mediated conversation that will take place next Saturday, on December 7th, at 3pm.
The conversation will feature the artists Juliana Matsumura and Inês Telesand also the curator João Silvério. They will share a little more about the exhibition "A body in the world" - solo show by Juliana Matsumura, with the participation of Inês Teles in our project room.
OBS: Limited space
We hope to see you there!
by Stephanie Wruck | Nov 19, 2024 | Article, Emphasis, Events
SAVE THE DATE: OPENING - NOVEMBER 21ST - 6PM-9PM
We are delighted to announce the opening date of the exhibition A BODY IN THE WORLD, which brings together new works by Juliana Matsumura curated by João Silvério.
"Juliana Matsumura's exhibition, entitled "A Body in the World", is constructed as a succession of self-referential maps linking her personal memory to the collective identity represented by her family's diaspora between Brazil and Japan. The works created for this project, with a very unique plasticity and a very subtle visual poetics, are between drawing, painting and sculpture and relate references and artifacts, winds, crossings and meridians that draw this memory of a corporeality that crosses the world." - João Silvério
Our project room is occupied by Portuguese artist Inês Teles, exhibiting works in a variety of media, from sculpture to works on paper.
We hope to see you there!
by Stephanie Wruck | Oct 30, 2024 | Article, Emphasis, Events
Yellow Collective at the Affordable Art Fair in Hamburg
After participating in the editions of the Affordable Art Fair in Brussels and Berlin in 2024, the Yellow Collective will be present for the second time in the edition of Hamburg in 2024. The fair opens on the 6th of November and runs until the 10th. The Affordable Art Fair features a number of local and international galleries that will present thousands of contemporary works of art at affordable prices. Among the artists exhibiting at the fair are Gabriela Albuquerque, Manoel Quitério, Juliana Matsumura, Veridiana Leite, Flavia Regaldo and Chico Diaz.
Affordable Art Fair
The first edition of the Affordable Art Fair took place in Battersea Park, in London, in October 1999. At first, the fair had an audience of 10 thousand people interested in buying art. These include original contemporary paintings, sculptures, photographs and prints in a relaxed and friendly atmosphere.
After all these years, the Affordable Art Fair takes place in more than 10 cities around the world, including London, New York, Hong Kong, Hamburg, Amsterdam, Brussels, Singapore, Stockholm, Melbourne and Sydney, with two new fairs to open coming soon to Shanghai and Berlin.
In each of its editions, the fair welcomes thousands of art enthusiasts and provides a wide variety of art. They feature established and emerging artists in a mix of local, national and international galleries with affordable artwork.
The Affordable Art Fair is an opportunity to discover emerging artists and galleries at an affordable price. It encourages the democratization of art and its consumption.
The vernissage takes place on November 6 between 6pm and 10pm. For more information on the fair's timetable, go to the website.
We have some complimentary tickets for the fair, if you would like to attend, send us an email: contact@coletivoamarelo.com
by Stephanie Wruck | Oct 4, 2024 | Events
OCTOBER 5TH - 2PM-5PM
On October 5, from 2 p.m. to 5 p.m., there will be a "Map-Poem" workshop. Mediated by Giulia Frascino, you will be invited to reflect collectively on the word as a map/place/compass, through writing, drawing and the dynamics of collective artistic practices.
The workshop will take place here at the Coletivo Amarelo art gallery in Marvila / Lisbon, during the SURYA exhibition, featuring works by Veridiana Leite.
Registration is limited. We look forward to seeing you!
by Stephanie Wruck | Sep 19, 2024 | Article, Emphasis, Events
SAVE THE DATE: OPENING - NOVEMBER 19TH - 6PM TO 9PM
It is with great joy that we announce the opening date of the exhibition Surya, which brings together the work of Veridiana Leitecurated by Leonor Carrilho.
Surya presents a new body of work from the practice of Veridiana Leite, a visual artist from Ribeirão Preto, Brazil, currently living in Lisbon.
Veridiana paints like she dances. Her loose, spontaneous, almost wild gestures deconstruct our imaginary landscapes and take us to new places, sometimes magical, sometimes dark, where our perception is challenged to other observations. Based on references to female figures or mythological beings that are important in her work, Veridiana presents a series of new paintings and ceramic pieces that reveal not only the organic nature of the materials she uses, but also the spiritual expansion of her practice as a painter, sculptor and dancer.
We hope to see you there!
by Stephanie Wruck | Jul 3, 2024 | Article
"Houses"
“Only houses explain why there is a word like intimacy” Ruy Belo
“The stick house, drawn with colored pencils, a somewhat messy rectangle, a somewhat triangular roof, lost in some landscape, with sun and clouds in the background. Next to it is a family of stick figures, with their round heads, waving and smiling and many times larger than the house itself.
This is the description of almost every human memory about their first graphic drawings.
The house, the family, the landscape.
Three elements that surround us throughout our lives, and also mine. Is it possible to go through the human experience avoiding these elements? I do not believe…
It seems like it's always been what we've been longing for: a roof, a sloping roof, a window perhaps open, and friends or family nearby.
This is the starting point of the research and execution of this series. It all started, once again, with a watercolor notebook, where houses that appeared on my real or digital paths began to be registered.
These houses asked for space, left the notebook and began to be grouped into larger paintings, connecting or disconnecting between them, through bridges, passages, stairs, tunnels.
Only them in the paintings, without any mention of the human figures, who certainly were or still are there. Stains in sinuous waves cover what was, or reveal what is to come.
The houses, designed and confused in this way, are a kind of tribute to our greatest search, a safe place in this world, in this existence.
A home should be the basic precept, the starting point of our dignity, but it is increasingly becoming a luxury. For various reasons, from political and social aspects, to the increasingly intense consequences of our disregard for the planet, homes are becoming a privilege. Housing is increasingly under threat, making us even further away from that first childhood ideal.
If it is within four walls that we make our most intimate connections, our deepest pains, our best kept secrets and our most precious memories possible, how will it be possible to live without them?
We are not prepared for the slowdown that is increasingly spreading across the world.
These imaginary houses, cities and paths that appear in these paintings can be what was, what will no longer be or what will be. This great “imaginary map” is an invitation to think together, to open floodgates of imagination to new ways of living possible in the midst of “such interesting” times.
by Gabriela Albuquerque
“Houses”
“Only houses explain why there is a word like intimacy” — Ruy Belo
The little house made of sticks, drawn with colored pencils, a somewhat disheveled rectangle, a somewhat triangular roof, lost in some landscape with the sun and clouds in the background. Beside it, a stick figure family with their round heads, waving and smiling, often larger than the house itself.
This is the description of nearly every human memory of their first graphic drawings.
The house, the family, the landscape.
Three elements that surround us throughout our lives, and also around mine. Is it possible to go through the human experience avoiding these elements? I do not think so…
It seems that it is what we have always longed for: a roof, a sloped little roof, a window perhaps open, and friends or family nearby.
This is the starting point of the research and execution of this series. It all began, once again, with a watercolor notebook, where houses that appeared in my real or digital paths began to be recorded.
These houses demanded space, left the notebook, and began to gather in larger paintings, connecting or disconnecting with each other through bridges, passages, stairs, tunnels.
In the paintings, there are only the houses, with no mention of human figures, who certainly were or still are there. Patches in sinuous waves cover what was, or reveal what is to come.
These houses, drawn and confused, are a kind of tribute to our greatest quest, a safe place in this world, in this existence.
A house should be the basic premise, the starting point of our dignity, but increasingly it is becoming a luxury. For various reasons, from political and social aspects to the increasingly intense consequences of our neglect of the planet, houses are becoming a privilege. Homes are increasingly threatened, making us even more distant from that first childhood ideal.
If it is within four walls that we make possible our most intimate connections, our deepest pains, our most well-guarded secrets, and our most precious memories, how is it possible to live without them?
We are not prepared for the homelessness that is increasingly spreading around the world.
These houses, cities, and imaginary paths that appear in these paintings may be what was, what will no longer be, or what will be. This great “imaginary map” is an invitation to think together, to open the floodgates of imagination for new possible ways of living amidst such “interesting times.”
by Gabriela Albuquerque
by Stephanie Wruck | Jul 1, 2024 | Article, Emphasis, Events, new artist
SAVE THE DATE: OPENING – JULY 4TH – 6PM-9PM
It is with great joy that we announce the opening date of the exhibition Memories, Nightmares and Restlessness, which brings together the work of Eduarda Rosa, curated by Cristiana Tejo. The exhibition features more than 90 works produced between 2023/2024, where the artist uses a variety of types of paper and images.
Eduarda Rosa, initially trained in Pharmaceutical Sciences and Organic Chemistry, produces works based on a visual poetic linked to the deconstruction of scientific methods. Like a reliquary, the exhibition offers a deep dive into meticulous yet sensitive works and voluminous image categories, where everything is highly illustrative of the way in which the artist's mind operates.
Our project room, the smallest gallery in Lisbon, is occupied by Gabriela Albuquerque @gabialb.art , showing her most recent series, “Casas”.
We hope to see you there!
by Stephanie Wruck | Jun 7, 2024 | Article, Emphasis
Discover the Art of Tarot by Manoel Quitério at Coletivo Amarelo
Our latest exhibition, PATHS OF RETURN, presents the captivating work of Manoel Quitério. Born in Recife, Brazil, Manoel's delicate paintings explore his ancestry, connections with the world of dreams and his personal internal universe.
The exhibition features 22 pieces, including Manoel's unique interpretation of the tarot's major arcana. Traditionally centered around Eurocentric and masculine symbols of power, Manoel's tarot deck reimagines these figures through an Afro-Brazilian lens, celebrating the feminine power and spiritual richness of Candomblé. His magnetic, almost hypnotic drawings bring a fresh, vibrant perspective to the classic European tarot tradition that has been a subject of fascination for centuries.
We are excited to announce the availability of limited edition fine art prints of Manoel's tarot deck. Each print is part of a small edition of 7, signed and numbered by the artist, offering collectors a unique opportunity to own a piece of this extraordinary work. The prints capture the essence of Manoel's artistic vision, mixing religious syncretisms with a celebration of African heritage.
Experience the Tarot: Past, Present and Future
In addition, we invite you to engage with the tarot in a personal and meaningful way through our option to pick and choose three different cards, representative of your past, present, and future. We are happy to assist you with choosing your three cards, providing more in depth information of the meanings of each card. This experience is not only a way to gain personal insight but also a chance to acquire a truly special piece of art.
As a gallery, Coletivo Amarelo is committed to making art collecting accessible and supporting emerging artists. We believe that the best way to support artists is to purchase their work, and we are here to make this process easy and enjoyable for you.
Contact us through here - contact@coletivoamarelo.com - if you need assistance with choosing the prints and we will look forward to hearing from you 🙂
by Stephanie Wruck | Jun 7, 2024 | Article, Emphasis, Events
We are pleased to invite everyone to a guided tour of the exhibition CAMINHOS DE RETORNO, a solo exhibition by artist Manoel Quitério with the participation of Juliana Matsumura in our project room.
The visit will feature the artist, where he will share a little more about the works presented, the journey that led to this exhibition and much more.
May 7th, from 6pm to 8pm, we are waiting for you!
